A rough transcription follows. GH = George Harrison; RS = Ringo Starr and MLH = Michael Lindsay Hogg (Director).
GH: Did you see the TV last night?
RS: Yeah.
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RS: Did you watch the BBC2 thing?
GH: Yeah. There was that science fiction thing ...
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MLH: Was the science fiction any good?
GH: It was amazing, you know, it was, the fellow who wrote it had a good imagination. But there was something... something that like contradicted it. It contradicted itself somewhere ... I don't remember ...something to do with, like, well you know, your body's f*ck all is the message. It was like these people ... did you see any of it?
MLH: I only saw the last five ...
GH: It started ...
MLH: ...three minutes of it.
GH: It started very strange where they brought ... they had a fella on a trolley and they pushed him in like a cupboard or a fridge...
RS: He was the body wasn't he?
GH: He was just like a body yeah, that they were gonna use. And they did something. They were supposed to be in ...
RS: They went back in time.
GH: ...the year 21 hundred and something. And they went back to 1969 January ... focussed in on the M1 on this car and made him crash. So that he'd ...
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GH: And then they'd somehow take his mind, whatever it is and transplant it into this new ...
RS: Into the body.
GH: New body. Rex Industries they were called. And ...So he suddenly comes up and he's in this other body, and they're saying "How are you?" and all that. "We brought you from 1969". And then there's this other fella who's a bit ... who's running the place, it seemed him to be ... and he wanted ... he wanted a younger body.
RS: He goes [into] the reincarnation machine. But it didn't work on him did it?
GH: No.
RS: 'Cause the ...
GH: And a reject, that's right!
RS: ... the old, the 1969 guy who he crashed into, the other guy died as well and his mind got caught up in the power source that was picking up the body, er, the mind they wanted.
GH: And so he came ...
RS: So he took over. And he said, "bit of fight but I made it"
GH: Yeah, he dies in this other body. And ... but he was like a reject so he was ...
MLH: I only saw the end where the guy was so happy he was still alive.
RS: The white fella. You know the very white fella. Well he was the reject. He was the one that crashed originally.
MLH: And he's the one who died again isn't he?
RS: He came in the body ...
GH: No, no.
MLH: But remember when they put him in the chair? That's all I saw.
GH: Well that was the scene at the end where it worked out ...
RS: The good guy owed him, you know, because he crashed into him. Did you see where he went through that scene saying ... he enjoyed the thought of it. So he thought he owed a death to him.
GH: 'Cause he got his car under control at one point. Then he suddenly thought ... well you know it's a [
] ... dying, so he let it go. So in a way, he took the blame for himself, he said, you know, it was his fault that he killed the other guy.
MLH: But when they went in the two chairs at the end...?
GH: So then, the thing was that this guy ...
RS: The white guy.
GH: ... who was the reject was only 19 when he got killed, so he wanted ...
RS: He took the other body. You know the good ...
GH: And all that bit of hunting was strange...
RS: Yeah, well they always have that because it's the end product of fun...is where, you know, there's nothing else but to hunt but each other. You know all those science fiction ones where human beings are the ultimate ... game.
] ... dying, so he let it go. So in a way, he took the blame for himself, he said, you know, it was his fault that he killed the other guy.