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Post by Alex S on Feb 12, 2021 15:30:22 GMT
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Post by John Wall on Feb 12, 2021 16:30:43 GMT
There’s almost certainly nothing missing there.
However, I did use “almost”.
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Post by John Green on Feb 12, 2021 16:47:44 GMT
There ought to be a formula for dating a can (though only the can) from the amount of rust.
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Post by Peter Stirling on Feb 12, 2021 16:53:52 GMT
A gamble for sure, not very descriptive (a list of the labels and confirmation that every can had a film in would have helped)
The prevalent films in private collections were - religious- industrial - travelog- home movies
....just saying...BUT there is always a BUT LOL
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RWels
Member
Posts: 2,862
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Post by RWels on Feb 12, 2021 18:41:30 GMT
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Post by Paul Vanezis on Feb 14, 2021 11:05:44 GMT
It's obvious from the labels that this material is from an emptied cutting room.
Labels on the side of cans that say SL's xxx - xxx just means 'Slates' or takes. Those are sync rushes, the raw footage. W/T's are 'wild tracks', location recorded general sound of use to the production. Trims; rush print off cuts that will have been placed in a single can directly from the trim bin in the cutting room.
The only material of a master quality I can see is the can marked A&B. This is the cut negative, the chequerboard master from which all prints are made.
Of course, just because you purchase the film, doesn't mean it comes with rights, assuming the material was actually worth having. It's a great shame that it has ended up in a shed, something I see all too often and something the public need educating about.
Of all of this content, there is probably just 3 or 4 cans worth preserving.
Paul
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Post by Richard Bignell on Feb 14, 2021 13:36:20 GMT
Given that the reels are in Brighton rather than Hawaii and there are lots of markings for YCA and some relating to Turkey, it might well be the Yemeni Community Association charity that's been around for a good few years.
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Post by Alex S on Feb 16, 2021 19:48:35 GMT
UPDATE: The seller has uploaded some additional photographs which give some further insight about the film reels. Not heard of Clipper Films, nor Index Film and TV. Anybody know anything about them? Interestingly, there was a 1983 British film called Betrayal which was based on Harold Pinter's 1978 play of the same name. Wonder if the reel here is connected?
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