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Post by James Anderson on Aug 1, 2013 13:58:56 GMT
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Post by Alan Hayes on Aug 1, 2013 14:01:09 GMT
Since you've just linked to a You Tube page with colourised William Hartnell footage, I think you've answered all your questions yourself.
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Post by James Anderson on Aug 1, 2013 14:03:19 GMT
That's just a fan made tribute i am talking about all the b/w EP
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Post by Alan Hayes on Aug 1, 2013 14:06:18 GMT
We have colourised episodes on DVD (Planet of the Daleks 3 and Mind of Evil 1)... so I fail to see why you're asking. Of course it's possible. Whether it'll ever happen, that's down to costs, not technology. Can't see it ever being financially viable myself.
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Post by James Anderson on Aug 1, 2013 14:10:27 GMT
So we can see William Hartnell in colour ?? but it was shot in B/W ?
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Post by Richard Tipple on Aug 1, 2013 14:12:12 GMT
That video is my work  All done one frame at a time. There's a few more on my channel, and I have a website here: itsfarfrombeingallover.com/ |
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Post by Alan Hayes on Aug 1, 2013 14:18:15 GMT
So we can see William Hartnell in colour ?? but it was shot in B/W ? Sorry. Didn't realise you were trolling. I'll remember to ignore you in future. |
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Post by Simeon Carter on Aug 1, 2013 15:04:33 GMT
In answer to what I think James' question is; no you can't restore a colour signal from a black and white print that was always black and white (unlike with the restoration of material originally made in colour). It can however be colourised frame by frame (or every few frames and extrapolated) as per The Mind of Evil Episode 1 and the video you linked to on YT.
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Post by Hugh Pearson on Aug 1, 2013 15:57:51 GMT
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Post by Alan Hayes on Aug 1, 2013 16:12:08 GMT
In answer to what I think James' question is; no you can't restore a colour signal from a black and white print that was always black and white (unlike with the restoration of material originally made in colour). It can however be colourised frame by frame (or every few frames and extrapolated) as per The Mind of Evil Episode 1 and the video you linked to on YT. If that's what James meant, then I apologise for my comment, but perhaps it highlights that when people post here they should take the time to compose messages that are well thought out and which communicate what they mean clearly. |
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Post by pelham cort on Aug 1, 2013 20:52:39 GMT
It would be awesome to see the William hartnell and Patrick troughton years in colour.marco polo,the celestial toymaker and the war games are crying out to be colourised as they have really colourful sets.
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Post by pelham cort on Aug 1, 2013 20:55:33 GMT
He also did a short clip of the ambassadors of death trailer for his anthology video. |
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Post by Hugh Pearson on Aug 1, 2013 21:13:07 GMT
It would be awesome to see the William hartnell and Patrick troughton years in colour.marco polo,the celestial toymaker and the war games are crying out to be colourised as they have really colourful sets. The first Marco Polo recon (LC17) done by Loose Cannon (February of 2002) was entirely in colour - they colourised all the B&W photos - recons.com/features/lc17x-1.htm |
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Post by Brad Phipps on Aug 1, 2013 21:59:22 GMT
marco polo,the celestial toymaker are crying out to be colourised ...and to be found first... |
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Post by Steven Sigel on Aug 2, 2013 4:34:14 GMT
The episodes were made in B&W and that's how I want to see them. The directors knew they were taping/filming in B&W and set up their lighting and scenes accordingly. Colorization destroys what the director intended. For the same reason I never watch movies dubbed into english from another language, or movies cropped to make them fit on a 4:3 screen (instead of lettebox) or stretched to fit on a 16:9 screen (instead of pillarboxed). I guess I am a purist -- I want to see it how it was made. The Pertwee episodes, of course, are a completely different story - they were made in color, so colorization makes perfect sense.
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