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Post by garygraham on Dec 7, 2018 1:11:44 GMT
There was a specialist telecine system with a rotating prism that worked better differing frame rates, but probably was an expensive bit of equipment to buy & operate. A company I worked for had a Steinbeck flat-bed editor which had a video output. In fact I think the editor viewed a TV monitor as he worked. I believe those flat-beds worked with a rotating prism so that would have been similar to what you describe.
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Post by Richard Marple on Dec 7, 2018 12:37:21 GMT
There was a specialist telecine system with a rotating prism that worked better differing frame rates, but probably was an expensive bit of equipment to buy & operate. A company I worked for had a Steinbeck flat-bed editor which had a video output. In fact I think the editor viewed a TV monitor as he worked. I believe those flat-beds worked with a rotating prism so that would have been similar to what you describe. The Restoration Team mentioned in one of their write-ups of preparing a Tom Baker story for DVD release that a prism based telecine had been used in the original transfer of filmed elements to videotape.
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